主演：卢茜娜·温尼斯卡,安娜·齐皮勒夫斯卡,玛丽亚·赫瓦利布格,弗朗齐歇克·皮耶奇卡,Halina,Billing-Wohl,Mieczyslaw,Voit,Kazimierz,Fabisiak,Stanislaw,Jasiukiewicz,Zygmunt,Zintel,Jerzy,Kaczmarek,Jaroslaw,Kuszewski,Marian,Nosek,Jerzy,Walden,Marian,Nowak,Zygmunt,Malawski,Stanislaw,Szymczyk
导演：耶尔齐·卡瓦莱罗维奇
简介：故事发生在十七世纪的波兰。书亚（Mieczyslaw Voit 饰）是一名德高望重的神父，坚定的坚持着自己对主的信仰和理想。某一日，他被派往了一间修道院中工作，有传闻魔鬼偷偷潜入了这间修道院，在其中作祟。修道院的院长是一个名为乔安（卢茜娜·温尼斯卡 Lucyna Winnicka 饰）的女人，这个女人的身上散发出一股强大而又神秘的美丽，让众多的修女们为之疯狂。随着时间的推移，神父书亚发现魔鬼的力量实在是过去强大，仅凭他一人之力无法驾驭，于是向一个老法师寻求帮助。然而，最终，书亚亦没有能够拒绝魔鬼的诱惑，为了帮助乔安，他甚至犯下了杀人的罪孽。
主演：于洋,高保成,鲁非
导演：谢铁骊
简介：为了进一步巩固解放战争的基础，最大限度发挥广大民众的力量。中共方面派出由萧祥（于洋 饰）率领的农村土改工作队进驻位于东北某解放区的元茂屯。然而土改工作从一开始就遇到了不小的阻碍，千百年来唯唯诺诺的农民们根本还没有当家作主的意识，他们习惯了当地主家的佃户，对于这项前所未闻的政策畏首畏尾，不敢轻易尝试。除此之外，自觉切身利益受到损害的恶霸地主韩老六（刘季云 饰）则和农会主任张富英（安震江 饰）沆瀣一气，到处散播谣言，意图破坏土地改革的进程。萧祥和同志们审时度势，对症下药，揭穿瓦解了地主的阴谋。而在此过程中，赵玉林（高保成 饰）等贫苦农民等也勇敢站了起来，积极争取当家做主人的合法权益……
主演：马龙·白兰度,卡尔·莫尔登,凯蒂·乔拉杜,蒂莫西·凯瑞,罗多尔福·阿科斯塔,菲利普·韩
导演：马龙·白兰度
简介：里奥（马龙·白兰度 Marlon Brando 饰）和达德（卡尔·莫尔登 Karl Malden 饰）共同参加了一场抢劫计划，哪知道达德出卖了里奥，导致里奥锒铛入狱。一晃眼五年过去，在狱友莫德斯（Larry Duran 饰）的帮助下，里奥越狱成功，他的内心里一直都没有忘记过达德的背叛，而此时的达德早已成为了镇上的成功人士。越狱后的里奥拾起了老本行，加入了以鲍勃为首的犯罪团伙，并且在一次偶然之中结识了达德的继女路易莎（皮纳·佩利塞尔 Pina Pellicer 饰），两人之间碰撞出了爱情的火花，这让达德找到了对里奥赶尽杀绝的机会。在达德的暗中操纵下，里奥在一次被投入了监狱，最终，两人站在了决斗的战场上。
主演：阿尔贝托·索尔迪,维托里奥·加斯曼,阿努克·艾梅,费南代尔,尼诺·曼弗雷迪,西尔瓦娜·曼加诺,玛丽娜·墨蔻莉,利诺·文图拉
导演：维托里奥·德西卡
简介：In Naples, a voice from the skies announces one morning that the final judgment will be at 6 p.m. on that day. What follows is a series of vignettes depicting various people's reactions (or lack there of) to the announcement.
主演：凤凰女,林家声,麦炳荣,陈好逑,谭兰卿,少新权,李奇峰,刘月峰
导演：冯峰
简介：剧情简介：歌姬程丽雯失明，与盲人柳玉龙相恋，拒绝了将军宋文华之爱，并请他娶妹妹倩雯。她自己则与玉龙交换宝玉及金钗定盟，玉龙弟玉虎因知贡品中有治失明的天生雪莲，遂抢来给兄长及丽雯医治，贡品本为文华监管，他因失职要与其母、丽雯、倩雯全家出走。丽雯双目痊愈， 但全家却一贫如洗，文华决定铤而走险抢劫。他逃脱，妻倩雯却被捕。皇爷欲找美女迷惑皇帝，遇艳名远播的丽雯，即收他为谊女，封凤屏郡主。玉龙与丽雯失散，眼睛复明后成京中高官，负责审倩雯一案，且与丽雯相见不相识。皇爷见玉龙刚直，纳为己用。玉虎打劫乘船的文华，文华见玉虎身上有丽雯赠予玉龙之金钗，后玉虎重遇玉龙，便与文华安排他和丽雯重遇，二人方才知道原来意中人早在公堂相见。最后玉龙偷来皇爷通番卖国的证据，送给廉御史，皇爷被捕，由是两对患难夫妻得以共享团聚之乐。电影名称：十年一觉杨州梦（Dreams for the Past Events）A Ten-Year Dream ..... (International: English title)片长：106 min地区：香港色彩：黑白对白：粤语出品：大龙凤影业公司/信谊影业公司上映时间：1961年06月28日声音：单声道类型：爱情片、戏曲片职员表：导演Director：冯峰Feng Feng编剧Writer：李愿闻 Yuanwen Li/徐子郎 Zilang Xu - story制作人Produced by：牛严 Niu Yan - producer监制：何少保摄影Cinematography：黄捷 Hung Chieh主演：陈好逑 凤凰女 林家声 刘月峰 麦炳荣 少新权 谭兰卿 李奇峰
主演：弗兰科·奇蒂,弗兰卡·帕苏特,西尔瓦纳·科尔西尼,Paola,Guidi,阿德里娅娜·阿斯蒂,Luciano,Conti,卢恰诺·戈尼尼,Renato,Capogna,Alfredo,Leggi,Galeazzo,Riccardi,Leonardo,Muraglia,Giuseppe,Ristagno,Roberto,Giovannoni,马里奥·西普利亚尼,Roberto,Scaringella,皮耶罗·莫尔贾,Adele,Cambria,雷纳托·泰拉,埃马努埃莱·迪·巴里,Adriana,Moneta
导演：皮埃尔·保罗·帕索里尼
简介：影片表现了罗马郊区的青少年、妓女和拉皮条的人的生活，反映了流氓无产者和被社会所唾弃的人的生活世界。这部影片充满自然主义，高潮部分带有强烈的宗教狂热，穿插着梦幻，但又有明显的社会和心理特点，影片以主人公富有隐喻的死结束。导演在该片中大量运用了实际生活中的语言。
主演：Loredana,Detto,Sandro,Panseri,Mara,Revel,图利奥·凯齐赫
导演：埃曼诺·奥尔米
简介：年轻的多蒙利冒险从小镇来到米兰，在一家大公司里找了一份工作，面对巨大的生活压力与温柔美丽的艾多丽使他很矛盾，为了心中的理想多蒙利只有忘我地工作，希望能够赢得艾多丽，现实的生活让他突然一夜之间失去了许多，他才发现自己是生活在社会最底层的人，极度的愤怒让他讨厌一切。导演奥米建立风格和信誉的早期写实作品，叙述了一个15岁乡下男孩到米兰的大公司谋职的经过。男孩多米尼克在求职过程中结识了一个女孩，她也在等待被录用，在经历了各种考验后，两人最终如愿进入了这家公司。多米尼克凭借自己不断的勤奋努力，成为办公室主管，但他仍不满足，对生活和前途充满勃勃野心。影片展示了意大利社会生活的艰辛，讽刺了谋职的贪婪，还提出了一个很耐人寻味的问题，那就是工业社会的紧张、单调与葬送青春、泯灭纯真。全片注重的是日常生活的细节描写，还原了一个小职员普通生活和工作的心理真实。导演没有过多把自己对生活的评价放进电影，他只是以“生活流”手法白描了这样一个普通的故事，纪实的风格朴实无华。
主演：艾琳·帕帕斯,马诺斯·卡特拉基斯,Maro,Kodou
导演：Yorgos,Javellas
简介：故事发生在古希腊的底比斯，俄狄浦斯王弑父娶母后，生了二个儿子——厄忒俄克勒斯和波吕涅刻斯，以及两个女儿——安提戈涅（艾琳·帕帕斯 Irene Papas 饰）和伊斯墨涅。波吕涅刻斯借岳父的兵力回国来和他的哥哥厄忒俄克勒斯争夺王位，结果两兄弟自相残杀而死。克瑞翁以舅父资格继承了王位，他为厄忒俄克勒斯举行了盛大的葬礼，宣布波吕涅刻斯为叛徒，不许人埋葬他的尸首。克瑞翁下令，谁埋葬波吕涅刻斯就处以死刑。安提戈涅遵循神律，尽了亲人必尽的义务，把她哥哥埋葬了，因此她被克瑞翁下令处死。随后，底比斯城的先知告诉克瑞翁，说他冒犯了诸神。克瑞翁赶去救安提戈涅，却发现她已死去。克瑞翁的儿子海蒙，是安提戈涅的未婚夫，他拔剑刺杀克瑞翁而后自杀。克瑞翁的妻子听说儿子已死，也跟着自杀。克瑞翁最后落得一个孤家寡人的悲剧下场。
主演：让-克洛德·布里亚利,安娜·卡里娜,让-保罗·贝尔蒙多,亨利·埃托,Karyn,Balm,多萝泰·布兰克,凯瑟琳·德蒙吉奥,玛丽·杜布瓦,Ernest,Menzer,让娜·莫罗,Nicole,Paquin,Gisèle,Sandré,Marion,Sarraut,多米尼克·扎尔迪
导演：让-吕克·戈达尔
简介：美艳性感的脱衣舞娘安吉拉（安娜·卡里娜 Anna Karina 饰）与男友埃米尔（让-克劳德·布里亚利 Jean-Claude Brialy 饰）同居很久。安吉拉非常想要一个孩子与埃米尔长相厮守，可埃米尔非常享受二人世界的自由，不想结婚更不用说生儿育女，争吵在所难免。在屡次遭到埃米尔的拒绝后，安吉拉一气之下找到了埃米尔的好友阿尔弗雷德（让-保罗·贝尔蒙多 Jean Paul Belmondo 饰）并与之发生了关系。由法国新浪潮奠基者之一让-吕克·戈达尔执导编剧的彩色宽银幕电影《女人就是女人》，是他向好莱坞音乐歌舞片的致敬之作。影片颠覆传统歌舞片模式，是一部“新现实主义歌舞片”。本片荣获1961年第11届柏林国际电影节银熊奖最佳女演员和特别奖两项殊荣，并入围金熊奖。
主演：山本富士子,岸惠子,船越英二,中村玉绪,岸田今日子,宫城真里子
导演：市川昆
简介：在电视台担任制作人的风松吉（船越英二 饰）是一个风流轻浮、处处留情的男子，除却妻子双叶（山本富士子 饰）外，他还有不下十名情妇。双叶知晓丈夫的行径，却无计可施，只得专心经营酒吧以排遣苦恼。松吉的情妇们争风吃醋，彼此知道对方的存在，虽然怨恨松吉的放荡无形，却又对他眷恋不已。情妇之一的石下市子（岸恵子 饰）找到双叶，言谈间流露出想要杀死松吉的念头。虽则是玩笑之语，倒也令松吉惊出一身冷汗。惊魂方定，他便与妻子策划，准备上演一出假死的闹剧，彻底摆脱这群女人的纠缠……本片由市川昆担任导演，其妻子和田夏十担任编剧。
主演：勝新太郎,川口浩,市川雷蔵,山本富士子,京マチ子
导演：三隅研次
简介：标志大映辉煌顶峰的作品。インド北方の国にあるカピラ城は、ある朝、金色の大光輪に包まれた。スッドーダナ王の妃マーヤーがシッダ太子を生み落したのだ。それから二十年--美貌のほまれ高いスパーフ城の王女ヤショダラー姫の婿となるべき男の武芸大会が開かれた。各国王子の中で最後まで残ったのは、シッダ太子とその従兄ダイバ・ダッタの二人であった。競うこと半日、ついにシッダ太子が勝利を収めた。カピラ城内で太子夫妻の幸福な結婚生活が六年間おくられた。しかし、その頃から次第にシッダ太子の心深くに人生への懐疑が生れた。自らの境遇と奴隷や賤民の身の上との余りの違いに人生の苦悩を持ったのだ。ある夜、太子は心の安らぎと人生の悟りの道を得るために最愛の妻と城を後に禅定の地を求めて出城した。太子の諸国の放浪が続いた。ある時は岩石ガイガイたる荒野を、ある時はヒマラヤ山麓の原始林を--経てある川の畔の大きな菩提樹の蔭に太子の苦行が始められた。一方、ヤショダラー妃への邪な恋情を捨て切れないダイバは、ある夜、策略を弄して妃を犯してしまった。妃は自殺した。この悲報にも太子は城に帰ろうとしなかった。こうした菩提樹のもとにあらゆる誘惑を退けながら六年の間、苦行を続けたシッダ太子は一切の怒りと憎しみを忘れ村の女サヤ(実は帝釈天)の介添により遂に悟りを開いた。太子は仏陀として生れ変ったのだ。鹿野苑の仏陀のもとには、尊き法の教を乞う人達が全国より集って来た。仏陀の高い噂を聞いたダッタは、シュラダ行者のもとで神道力を授かるや敢然として仏陀への挑戦を開始、バラモンの布教に勤めだした。マダカ国のアジャセ王子がその出生の秘密に苦悩し父王と不和であることを知ったダイバはうまく王子に取り入って王子の権力を悪用し、バラモンの大神殿を建造させると共に、仏教徒に対する迫害と処刑を図った。このダイバの余りな非人道的な仕打に次第に疑問を抱き始めたアジャセ王子は鹿野苑に仏陀を訪れた。王子は仏陀の教えに導かれダイバとの訣別を決意した。これを知ったダイバは、王子に国王ビンビサーラ殺しのぬれぎぬを着せ、自らマダカ国王としての宣言を大神殿の台座から怒号した。その時、大地震が起りダイバは巨大な亀裂の中に消えていった。仏陀の怒りが奇蹟をもたらしたのである。それから何年かの間、仏陀の温い慈愛は庶民に安らぎを与えその教えは全世界に広まっていった。そして仏陀の入滅後も、崇高なる教えは全世界の人間の心の中に永遠に生きているのだった。
主演：安娜·卡里娜,让-吕克·戈达尔,Emilienne,Caille
导演：阿涅斯·瓦尔达
简介：This silent burlesque short was incorporated into Varda's full-length "Cleo de 5 a 7", although in a slightly different version.
主演：邓楠,李纬,梁波罗,毕克
导演：刘琼
简介：梁洪（梁波罗 饰）本是苏中根据地的一名新四军干部。1943年上级派梁洪来到了设在上海的51号兵站，兵站对运往根据地的军用物资药品起了很大的作用。之前由于叛徒的出卖，兵站受到冲击。梁洪以上海帮会头目范金生的守门弟子“小老大”的身份出现在上海。他在我地下党组织的掩护下，与范金生的大徒弟吴淞巡防团长的黄元龙（邓楠 饰）拉上了关系。日寇情报处长龟田（李保罗 饰）对梁洪的出现起了疑心，命令情报科长马浮根（李维 饰）密切监视梁洪。在请客宴会上马浮根故意用帮会黑话来盘问他，梁洪轻松应答，马浮根虽疑惑却没有抓到把柄。龟田仍不死心，他用计想让梁洪暴露身份，不想被梁洪利用，反而使龟田与黄元龙发生内斗。就在龟田与黄元龙各怀鬼胎之际，梁洪已经做好了偷天换日的准备......
主演：杰瑞·刘易斯,海伦·特劳贝尔,帕特·斯坦利,凯瑟琳·弗里曼,乔治·拉夫特,哈里·詹姆斯,马蒂·因格斯,Buddy,Lester,格洛里亚·吉恩,奥佩·霍利迪,杰克·拉拉尼,Westbrook,Van,Voorhis,Sylvia,Lewis,埃迪·基扬,Dee,Arlen,罗斯科·阿蒂斯,Francesca,Bellini,杰克·克鲁申,亚历克斯·格里,帕特里夏·布莱尔,Doodles,Weaver,Lillian,Briggs,玛丽安娜·加巴,凯琳·卡普希纳,玛丽·拉罗什,安麦克雷,马德琳·鲁,Shei
导演：杰瑞·刘易斯
简介：赫伯特的女朋友离开他之后，赫伯特非常沮丧，开始找工作。他终于在一个大房子里找到了一个，里面住着许多女人。他能和所有这些女人住在同一个家吗？
主演：伦佐里奇,保罗·斯托帕,弗朗科·英特朗吉,乔瓦娜·拉利,蒂娜·露易丝
导演：罗伯托·罗西里尼
简介：The film shows how Italy's historic national hero Giuseppe Garibaldi (embodied by Renzo Ricci) leads a military campaign known as Expedition of the Thousand in 1860 and conquers Sicily and Naples. When the Bourbon monarchy has left Southern Italy, he supports Victor Emmanuel II of Italy who achieves a lasting unification under the aegis the House of Savoy.Roberto Rossellini stated he was very more proud of this film than of any other film he ever made.
主演：Andrzej,Banaszewski,Beata,Barszczewska,马里乌什·德莫霍夫斯基
导演：斯坦尼斯拉夫·罗泽维格
简介：In 1961, Stanislaw Rozewicz created the novella film "Birth Certificate" in cooperation with his brother, Taduesz Rozewicz as screenwriter. Such brother tandems are rare in the history of film but aside from family ties, Stanislaw (born in 1924) and Taduesz (born in 1921) were mutually bound by their love for the cinema. They were born and grew up in Radomsk, a small town which had "its madmen and its saints" and most importanly, the "Kinema" cinema, as Stanislaw recalls: for him cinema is "heaven, the whole world, enchantment". Tadeusz says he considers cinema both a charming market stall and a mysterious temple. "All this savage land has always attracted and fascinated me," he says. "I am devoured by cinema and I devour cinema; I'm a cinema eater." But Taduesz Rozewicz, an eminent writer, admits this unique form of cooperation was a problem to him: "It is the presence of the other person not only in the process of writing, but at its very core, which is inserperable for me from absolute solitude." Some scenes the brothers wrote together; others were created by the writer himself, following discussions with the director. But from the perspective of time, it is "Birth Certificate", rather than "Echo" or "The Wicked Gate", that Taduesz describes as his most intimate film. This is understandable. The tradgey from September 1939 in Poland was for the Rozewicz brothers their personal "birth certificate". When working on the film, the director said "This time it is all about shaking off, getting rid of the psychological burden which the war was for all of us. ... Cooperation with my brother was in this case easier, as we share many war memories. We wanted to show to adult viewers a picture of war as seen by a child. ... In reality, it is the adults who created the real world of massacres. Children beheld the horrors coming back to life, exhumed from underneath the ground, overwhelming the earth."The principle of composition of "Birth Certificate" is not obvious. When watching a novella film, we tend to think in terms of traditional theatre. We expect that a miniature story will finish with a sharp point; the three film novellas in Rozewicz's work lack this feature. We do not know what will be happen to the boy making his alone through the forest towards the end of "On the Road". We do not know whether in "Letter from the Camp", the help offered by the small heroes to a Soviet prisoner will rescue him from the unknown fate of his compatriots. The fate of the Jewish girl from "Drop of Blood" is also unclear. Will she keep her new impersonation as "Marysia Malinowska"? Or will the Nazis make her into a representative of the "Nordic race"? Those questions were asked by the director for a reason. He preceived war as chaos and perdition, and not as linear history that could be reflected in a plot. Although "Birth Certificate" is saturated with moral content, it does not aim to be a morality play. But with the immense pressure of reality, no varient of fate should be excluded. This approached can be compared wth Krzysztof Kieslowski's "Blind Chance" 25 years later, which pictured dramatic choices of a different era.The film novella "On the Road" has a very sparing plot, but it drew special attention of the reviewers. The ominating overtone of the war films created by the Polish Film School at that time should be kept in mind. Mainly owing to Wajda, those films dealt with romantic heritage. They were permeated with pathos, bitterness, and irony. Rozewicz is an extraordinary artist. When narrating a story about a boy lost in a war zone, carrying some documents from the regiment office as if they were a treasure, the narrator in "On the Road" discovers rough prose where one should find poetry. And suddenly, the irrational touches this rather tame world. The boy, who until that moment resembled a Polish version of the Good Soldier Schweik, sets off, like Don Quixote, for his first and last battle. A critic described it as "an absurd gesture and someone else could surely use it to criticise the Polish style of dying. ... But the Rozewicz brothers do no accuse: they only compose an elegy for the picturesque peasant-soldier, probably the most important veteran of the Polish war of 1939-1945." "Birth Certificate" is not a lofty statement about national imponderabilia. The film reveals a plebeian perspective which Aleksander Jackieqicz once contrasted with those "lyrical lamentations" inherent in the Kordian tradition. However, a historical overview of Rozewicz's work shows that the distinctive style does not signify a fundamental difference in illustrating the Polish September. Just as the memorable scene from Wajda's "Lotna" was in fact an expression of desperation and distress, the same emotions permeate the final scene of "Birth Certificate". These are not ideological concepts, though once described as such and fervently debated, but rather psychological creations. In this specific case, observes Witold Zalewski, it is not about manifesting knightly pride, but about a gesture of a simple man who does not agree to be enslaved.The novella "Drop of Blood" is, with Aleksander Ford's "Border Street", one of the first narrations of the fate of the Polish Jews during the Nazi occupation. The story about a girl literally looking for her place on earth has a dramatic dimension. Especially in the age of today's journalistic disputes, often manipulative, lacking in empathy and imbued with bad will, Rozewicz's story from the past shocks with its authenticity. The small herione of the story is the only one who survives a German raid on her family home. Physical survial does not, however, mean a return to normality. Her frightened departure from the rubbish dump that was her hideout lead her to a ruined apartment. Her walk around it is painful because still fresh signs of life are mixed with evidence of annihilation. Help is needed, but Mirka does not know anyone in the outside world. Her subsequent attempts express the state of the fugitive's spirits - from hope and faith, moving to doubt, a sense of oppression, and thickening fear, and finally to despair.At the same time, the Jewish girl's search for refuge resembles the state of Polish society. The appearance of Mirka results in confusion, and later, trouble. This was already signalled by Rozewicz in an exceptional scene from "Letter from the Camp" in which the boy's neighbour, seeing a fugitive Russian soldier, retreats immediately, admitting that "Now, people worry only about themselves." Such embarassing excuses mask fear. During the occupation, no one feels safe. Neither social status not the aegis of a charity organisation protects against repression. We see the potential guardians of Mirka passing her back and forth among themselves. These are friendly hands but they cannot offer strong support. The story takes place on that thin line between solidarity and heroism. Solidarity arises spontaneously, but only some are capable of heroism. Help for the girl does not always result from compassion; sometimes it is based on past relations and personal ties (a neighbour of the doctor takes in the fugitive for a few days because of past friendship). Rozewicz portrays all of this in a subtle way; even the smallest gesture has significance. Take, for example, the conversation with a stranger on the train: short, as if jotted down on the margin, but so full of tension. And earlier, a peculiar examination of Polishness: the "Holy Father" prayer forced on Mirka by the village boys to check that she is not a Jew. Would not rising to the challenge mean a death sentance?Viewed after many years, "Birth Certificate" discloses yet another quality that is not present in the works of the Polish School, but is prominent in later B-class war films. This is the picture of everyday life during the war and occupation outlined in the three novellas. It harmonises with the logic of speaking about "life after life". Small heroes of Rozewicz suddenly enter the reality of war, with no experience or scale with which to compare it. For them, the present is a natural extension of and at the same time a complete negation of the past. Consider the sleey small-town marketplace, through which armoured columns will shortly pass. Or meet the German motorcyclists, who look like aliens from outer space - a picture taken from an autopsy because this is how Stanislaw and Taduesz perceived the first Germans they ever met. Note the blurred silhouettes of people against a white wall who are being shot - at first they are shocking, but soon they will probably become a part of the grim landscape. In the city centre stands a prisoner camp on a sodden bog ("People perish likes flies; the bodies are transported during the night"); in the street the childern are running after a coal wagon to collect some precious pieces of fuel. There's a bustle around some food (a boy reproaches his younger brother's actions by singing: "The warrant officer's son is begging in front of the church? I'm going to tell mother!"); and the kitchen, which one evening becomes the proscenium of a real drama. And there are the symbols: a bar of chocolate forced upon a boy by a Wehrmacht soldier ("On the Road"); a pair of shoes belonging to Zbyszek's father which the boy spontaneously gives to a Russian fugitive; a priceless slice of bread, ground under the heel of a policeman in the guter ("Letters from the Camp"). As the director put it: "In every film, I communicate my own vision of the world and of the people. Only then the style follows, the defined way of experiencing things." In Birth Certificate, he adds, his approach was driven by the subject: "I attempted to create not only the texture of the document but also to add some poetic element. I know it is risky but as for the merger of documentation and poety, often hidden very deep, if only it manages to make its way onto the screen, it results in what can referred to as 'art'."After 1945, there were numerous films created in Europe that dealt with war and children, including "Somewhere in Europe" ("Valahol Europaban", 1947 by Geza Radvanyi), "Shoeshine" ("Sciescia", 1946 by Vittorio de Sica), and "Childhood of Ivan" ("Iwanowo dietstwo" by Andriej Tarkowski). Yet there were fewer than one would expect. Pursuing a subject so imbued with sentimentalism requires stylistic disipline and a special ability to manage child actors. The author of "Birth Certificate" mastered both - and it was not by chance. Stanislaw Rozewicz was always the beneficent spirit of the film milieu; he could unite people around a common goal. He emanated peace and sensitivity, which flowed to his co-workers and pupils. A film, being a group work, necessitates some form of empathy - tuning in with others.In a biographical documentary about Stanislaw Rozewicz entitled "Walking, Meeting" (1999 by Antoni Krauze), there is a beautiful scene when the director, after a few decades, meets Beata Barszczewska, who plays Mireczka in the novella "Drops of Blood". The woman falls into the arms of the elderly man. They are both moved. He wonders how many years have passed. She answers: "A few years. Not too many." And Rozewicz, with his characteristic smile says: "It is true. We spent this entire time together."
主演：迈克尔·克雷格,琼·格林伍德
导演：赛·恩菲尔德
简介：During the US Civil War, Union POWs escape in a balloon and end up stranded on a South Pacific island, inhabited by giant plants and animals. They must use their ingenuity to survive the dangers, and to devise a way to return home. Sequel to '20,000 Leagues Under the Sea' . Written by Stewart M. Clamen <clamencs.cmu.edu>In 1865, during the siege of Richmond, Virginia, the union soldiers POW Captain Harding, Neb and Herbert escape in a balloon during a storm with two confederate prisoners, Sergeant Pencroft and the journalist Spilett. The uncontrollable wind takes the balloon to a mysterious island in the South Pacific in the area of New Zealand. Captain Harding self-proclaims the leader of the group and they look for food; sooner they discover that they are stranded in an island. Further, they are attacked by a giant crab that becomes their first meal. Along the days, they build a shelter and finds that the island is inhabited by giant animals. A couple of days later, they find two castaways on the beach, the aristocratic Lady Mary Fairchild and her sexy niece Elena. Later they find a trunk with weapons and instruments like sextant and shelter with a journal of a man left alone in the island by pirates. When the pirate vessel arrives in the island, they are helped by Captain Nemo of the Nautilus, a submarine that had supposedly sunk in the coast of Mexico eight years ago. Nemo is famous as the man that tried to end strike among man. When the volcano begins activity, they need to leave the island to save their lives. Written by Claudio Carvalho, Rio de Janeiro, Brazil
主演：丁莹,,朱江,,林坤山,,李鹏飞
导演：莫康时
简介：故事以倒叙形式表达。夏氏兄弟经营之公司业务蒸蒸日上，原来背后有一段曲折往事。夏云骧年老病危，临终时不忘教诲儿子二人要兄弟同心，相亲相爱。长子仲觉敦厚踏实事父至孝，幼子仲慧却沉迷赌博玩乐。表妹江静霞自幼寄居夏家，钟情于二表哥慧，常与觉规劝慧，慧却疑父偏爱兄长，不时与觉冲突。骧病逝，觉不支病倒，慧欲独占家产，逼老仆忠伯在觉的药中下毒，觉毒发身亡后，慧终日被觉的鬼魂缠绕，更误把新婚妻子霞当作觉，把她杀死，觉鬼魂再度出现欲扼杀慧。。。。。。慧惊醒，方知是噩梦一场，赶忙阻止觉服下毒药，并向兄忏悔改过。两兄弟携手合作经营父亲遗业，创出佳绩。
主演：任剑辉,罗艳卿,郑君绵
导演：龙图
简介：剧情简介：穷书生赵伟文与邻居程素华青梅竹马，共订白头。文上京赴考，高中状元，圣上为媒，要他娶陈尚书之女月华。榜眼杜文通对月痴心一片，求文不要夺爱。文实不愿娶月，奈何圣旨难违，遂于成亲当日佯装疯癫，尚书惟有暂延婚事。文音讯全无，素偕养父寿伯上京寻文，获悉文将成尚书女婿，暗中随陈府老仆进府见文，文誓言永不负爱。惟素与月相貌酷肖，文一时难辨，闹出不少误会。原来二人是自幼失散的孪生姊妹。最后，骨肉团聚，虽月与素皆不是尚书大人所出，但夫人把两人等同亲生，共享荣华。文与素喜成鸾凤，通与月亦共结佳偶。更多外文片名：Gang gu ye导演：龙图 Tu Long编剧：龙图 Tu Long演员表：任剑辉 Kim Fai Yam ....赵伟文罗艳卿 Yanqing Luo ....程素华、陈月华李海泉 Hoi-Chuen Lee ....寿伯郑君绵 Cheng Kwan Min ....杜文通任冰儿 Binger Ren ....小荷马笑英 Xiaoying Ma ....陈夫人黎雯 Man Lai ....伟文母张志荪 Chi Suen Cheung ....财叔张生 Sang Cheung ....陈尚书摄影 Cinematography：黄捷 Hung Chieh剪辑 Film Editing：宋明 Ming Sung美术设计 Art Direction by：赵全 Quan Zhao布景师 Set Decoration by：梁海山 Haishan Liang副导演/助理导演 Assistant Director：冯京 Jing Feng影片类型：喜剧国家/地区：中国香港对白语言：粤语色彩：黑白洗印格式：35 mm上映/发行日期(细节)：中国香港 Hong Kong 1961年2月28日制作公司：桃源电影企业公司 [中国香港]
主演：路易斯·乔丹,伊冯·弗奴克丝,皮埃尔·蒙迪,伯纳德·德兰,佛朗哥·席尔瓦,克劳丁·科斯特,让-克劳德·米歇尔,Yves,Rénier,玛丽·莫吉,让·马丁内利,亨利·吉索尔,Alain,Ferral,罗尔达诺·卢皮,亨利·维尔伯特,让-雅克·德尔伯,保罗·阿米奥,亨利·阿里乌斯,安德烈·达利贝尔,雅克·迪南,乔治斯·拉内
导演：克洛德·奥当-拉哈
简介：埃德蒙（路易斯·乔丹 Louis Jourdan 饰）本是一个朝气蓬勃的年轻水手，他对生活充满了热情，与人为善的个性亦为他在江湖上结识了诸多朋友。梅塞迪丝（伊冯·弗奴克丝 Yvonne Furneaux 饰）是埃德蒙心爱的姑娘，当埃德蒙完成了此次海上作业回到陆地上后，两人就准备成婚。不幸的是，埃德蒙的幸福惹得情敌费尔南多（Jean-Claude Michel 饰）十分眼红，他和昏庸的法官威尔弗（Bernard Dhéran 饰），利用莫须有的罪名将埃德蒙送入了大牢。十七年过去了，在狱友的帮助下，心中充满了仇恨的埃德蒙越狱成功，出狱后的他只有一个念头，那就是对导致他沦落到今天如此境地的所有人展开复仇。埃德蒙摇身一变成为了神秘莫测的基督山伯爵，在成功进入了上流社会后，他的复仇计划也逐步的实施着。
主演：红线女,谭倩红,关德兴,梁醒波,陈锦棠,刘克宣,马师曾,新马师曾,芳艳芬,白雪仙,任剑辉,罗兰
导演：灵风
简介：农民桂叔祖先山坟有丰富矿藏，祖地被矿产公司高价收购，桂婶为免丈夫被骗，进城请女儿、女婿素文陪同办理手续。惜文事忙，未能答允。桂叔与子虾仔一起往办理卖地手续，一朝发达，终日流连销金窝，音信杳然。桂婶担心二人安危，偕么女及虾的未婚妻阿兰进城找寻，却耗尽家当，不支病倒，又欠下房租。兰被逼到酒楼卖唱，遭人调戏，却不知桂叔在隔壁与欢场女子对饮，更被偷光家财。最后桂婶求助女婿，送三人回乡，女儿则在城里继续寻找父兄下落。
主演：查尔顿·赫斯顿,索菲娅·罗兰,雷夫·瓦朗,吉内瓦维·佩吉,约翰·弗拉瑟,加里·雷蒙德,赫德·哈特菲尔德,马西姆·塞拉托,弗兰克·思林,迈克尔·霍尔德恩,安德鲁·克鲁克香克,道格拉斯·威尔默,托里奥·卡米纳提,拉尔夫·杜鲁门,Christopher,Rhodes,卡洛·朱斯蒂尼,福斯托·托齐,芭芭拉·埃弗里斯特,尼里奥·贝尔纳迪,赫伯特·罗姆,欧米洛·康帕纳,Antonio,Mayans,保罗·穆勒,保罗·纳什,欧露莎尔芭·奈丽,维尔吉里奥·特谢拉
导演：安东尼·曼
简介：故事发生在1080年的西班牙，彼时的西班牙并没有统一，而是分为三个互不干涉彼此国家政务的小国。卢利歌（查尔登·海斯顿 Charlton Heston 饰）因为暗中放走了国王卡斯提尔下令处死的摩尔人酋长而遭到了国王的厌恶。在一场意外之中，卢利歌不小心杀死了未婚妻吉米娜（索 菲娅·罗兰 Sophia Loren 饰）的父亲，导致两人的情感破裂。不久之后，卢利歌所在的国家遭到了别国的侵略，卢利歌奋起反击保护自己祖国领土的完整，最终将敌人击退。然而坏事成双，卡斯提尔的去世让两名王子阿尔福斯（约翰·弗拉瑟 John Fraser 饰）和桑科（加里·雷蒙德 Gary Raymond 饰）开始争夺王位，好不容易恢复的和平再一次遭到破坏。
主演：内详
导演：维多里奥·德赛塔
简介：故事发生在撒丁岛上，淳朴的牧羊人米凯尔因为掩护了一些强盗而被警方怀疑为同伙。警方不断地对他进行骚扰，还要抓捕他。于是，米凯尔被迫赶着他的羊群，翻山越岭地躲藏和逃避。他实在被警察逼得走投无路，最终也只能成为了真正的强盗。
主演：保罗·纽曼,杰基·格利森,派珀·劳瑞,乔治·C·斯科特
导演：罗伯特·罗森
简介：艾迪（保罗·纽曼 Paul Newman 饰）是一位技艺高超的桌球赌博师，在一次竞争激烈的比赛中，艾迪败给了对手胖子（杰基·格黎森 Jackie Gleason 饰），失败带来的打击让心高气傲的艾迪一蹶不振。一次偶然中，失意的艾迪在咖啡店里遇见了名叫莎拉（派珀·劳瑞 Piper Laurie 饰）美丽女子，两人很快坠入了爱河。然而，莎拉的爱并没能让艾迪在挫败感中获得救赎，野心的火焰终日在艾迪的心中燃烧带来着疼痛与焦灼。一个名叫伯特（乔治·C·斯科特 George C. Scott 饰）的男人找到艾迪，希望能够当他的经纪人。在两人的努力之下，艾迪终于获得了梦寐以求的成功，可与此同时，他深爱着的莎拉却选择了离开。